The jellyfish is engineered to ride the water currents and find the buoyancy in them, while hunting like a predator. We didn’t want Jean Jacket to look like a jellyfish, but we learned a lot from the jellyfish because they’re the most energy-efficient hunter in the ocean. He’s a specialist in fluid dynamics and jellyfish. We partnered up with Professor John Dabiri at California Institute of Technology. You want to have reason for it to look the way it does. You want to make sure it’s inspired by nature or evolution. Early in preproduction, we even started to consult with quite a few scientists, because whenever you design something, you want to make it plausible. It was never a radical redesign, just making sure the design was functional. It’s a creature of the wind, so it needs to harness the wind, and you learn through exploring that movement. Well, you learn something every time as you’re working on it. What were some of the elements you changed over time? We were refining Jean Jacket until a couple of weeks before the movie was released. We worked on this for a couple of months, even before official preproduction started, to explore the design and refine it. like origami with its beautiful lines, and had the minimalism of the angels in Neon Genesis Evangelion, along with cuttlefish elements and such. So the lead concept artist at MPC came up with a beautiful early concept that was a combination of a lot of things we were talking about. When you look at the design of flying saucers from classic movies, it’s very minimalistic. You can make a creature out of anything you want with the arms and legs and muscles and all the complexity, but we were very attracted to this idea of minimalism. Their design is very minimalistic and functional. Oh, wow! The ‘angels’ that attack Earth in the series?Įxactly. We were very inspired by creatures in Neon Genesis Evangelion. When we started discussing reference points early on, we quickly developed an interesting common thread with Japanese art. There was always that notion that it would look like a flying saucer when it’s hunting, so we knew it had eventually to transform into something bigger than life - like peacocks or cuttlefish do. The first thing we did was the design for the unfolded version of Jean Jacket - the one you see at the end of the movie - because this is the creature in its most developed form. So we brainstormed a bit in order to develop its character and its abilities. He had all these ideas in the script and ideas of thematically what it should be and what it should do. Well, when I joined the movie, Jordan was still in the early stages of writing the script and he wanted to work with a team to start developing what Jean Jacket might be in terms of the visuals.
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